LAST COPY!

Few torturous tools inflict as much damage, tearing tissue and flesh so generously and even breaking bones accurately, as the slits and incisions of of a double-edged sharpened blade. Just in case the weapon is rusty and roughly jagged because of heavy and continuous use in the field of misdeeds, the crime scene will offer a baroque shoot. Developing the images from film to photographic paper will show the emphasized contrast between black and white tones, the predominant ones replacing the red of blood violently splashed all around being the darkest of them all. From thick unclean strokes to diffuse sprayed minuscule drops, topped and daubed with splinters of skin, guts and chopped vital organs. Undoubtedly a coordinated action among the chaotic collaboration of two forms of killing: the immediate and straight attack of a two-and-a-half-minute frenzy in the tradition of the main suspect (tentatively known among criminal circles as the UNDERGANG in its most primitive and rude style) and the expanded recreational barbarity of a more uncommon (yet not unknown at all) modus operandi, with dedicated and painstaking length and variety, as the opposite smeared dripping edge of the blade, as the reverse side of the same coin: slightly different, but bound to the fondness for the art of murdering and the fatal destiny of the defenseless victims.