LAST COPY!

With his side long track, EN NIHIL does what he does best; create an extremely dense rhythmic industrial/harsh noise atmosphere. The opening deep bass ambience give way to crushing metal abuse with layers and layers of searing noise textures masterfully added in and manipulated throughout. Like any well-oiled machine each jerking, stuttering, hissing layer does it part to contribute to the lumbering massive whole.

REGOSPHERE strays a bit from his normal death-industrial path on side B, instead giving a thick flowing track of harsh junk metal abuse and pulsing synths grinding away much faster than usual. Mixing acoustic and effected junk metal along with slimy synths and shifting layers of white noise, the track is a full on industrial noise assault before slowly decaying into an impenetrable death drone of crushing synths and field recordings of cicadas taken in the woods of Illinois. One of the more experimental REGOSPHERE tracks to come out in recent memory, with new details emerging on every listen.